In his "Sutoor" exhibition,
Samir Sayegh presents his personal approach to haiku poetry.

Using a Chinese inkstone,
he gives the word different shades, liberates language,
and reveals what precedes
its formation.

In a blank moment,
he follows a path between transparency and mirrors,
to a place beyond consciousness.

Samir Sayegh strips sensation / perception from its singular meaning, and positions himself at a point between what is visible and what is hidden, between what can be read and what is abstract.

With him, we witness the coming together of calligraphy and the word, language and poetry,
until they become light and shadow.